Paris : Madame Arthur Cabaret Show & Club Entry Ticket

French songs get a wild new costume. Madame Arthur blends live French singing, comedy, piano, and drag performance into a cabaret that changes every week. I like the fresh program and the way the performers treat French music as something to play with, not something locked behind a museum rope. I also like that your ticket can carry you from the main show into a late-night club with three rooms and five bars.

The main catch is seating. Unless you choose a VIP option, you may be standing for the cabaret, so wear comfortable shoes and plan accordingly. The evening is also mostly in French, which can make some jokes hard to follow, though a familiar song, expressive performer, and lively audience reaction often tell you what you need to know.

Key points to know before booking

• A new show every week: The performers create a different program built around French songs, comedy, and dance.
• Live piano and singing: This is a performance-led cabaret, not simply a lip-synced drag revue.
• An evening that can last until dawn: Thursday through Saturday tickets include the later club, with dancing from midnight until closing.
• French music with a playful twist: The repertoire may include well-known songs, reworked with humor, theatricality, and drag elements.
• Standing room may be the norm: VIP seating is worth checking if you do not want to stand during the main show.
• One ticket, several moods: The schedule moves from cabaret to song performances, then to a French-music club.

What Madame Arthur does differently in Paris

Madame Arthur is not presented as a standard revue with a fixed cast repeating the same polished routine each night. Its central idea is a changing cabaret built around French music, with performers who sing, act, dance, and make jokes in their own styles.

That variety is important. One artist may lean into song, another into comedy, and another into a more theatrical drag persona. The performers are linked by their affection for cabaret and French-language music, rather than by one narrow stage formula.

I would describe the experience as performance art with strong drag elements, rather than a conventional drag show. That distinction helps set your expectations. You are not buying a parade of dance numbers alone. You are buying an hour of live voices, piano, comic timing, costumes, theatrical characters, and musical reinterpretation.

The weekly program is one of the best reasons to return. You are not simply seeing the same show that has been running for years. The exact songs, jokes, and character moments can change, so the experience has a more local, living quality than a fixed tourist production.

The 9 pm cabaret from Thursday to Saturday

From Thursday through Saturday, doors open at 8 pm, with the main Madame Arthur show scheduled from 9 pm to 10 pm. That hour is the heart of the ticket.

Expect a compact cabaret built around French songs performed live with piano. The tone is deliberately extravagant and cheeky, with laughter and impertinence mixed into the music. The performers are described as chimerical creatures, which gives you a good sense of the theatrical approach: imaginative, stylized, and not concerned with keeping things ordinary.

The show may work especially well for you if you already know some French songs. Even if your French is limited, music communicates across language. One particularly memorable performance featured a Queen tribute sung entirely in French. Knowing the original English songs helped English-speaking audience members follow the musical structure, even when the spoken jokes went by too quickly.

That is a useful point for first-time visitors. You do not need fluent French to enjoy the evening, but you should accept that some comedy will pass over your head. The physical performance, music, and audience response still offer plenty to follow. If you want every line explained, this is not the best choice. If you enjoy theatrical energy and can let a few jokes fly past, it can be a lot of fun.

Seating and sightlines

The biggest practical issue is whether you have a seat. The standard experience may involve standing room, while VIP seating can offer a more comfortable position for the performance. The available information does not spell out every seating category, so check the specific option before paying.

I would treat seating as more than a small comfort detail. The main show lasts about an hour, and you will want a clear view of the performers. If you have mobility concerns, fatigue, or simply prefer to watch without shifting from foot to foot, investigate VIP seating before booking.

The venue is wheelchair accessible, but the standing-room warning still matters. Accessibility and seating availability are not the same thing, so contact the provider if you need a particular arrangement.

The late-night program after the main show

The Thursday-to-Saturday schedule continues after the principal cabaret. At 10:30 pm, Who sings? by GuiguiPop is scheduled for an hour. Another performance, called Tour de chant, begins at 11 pm and continues until midnight.

The timing overlaps on paper, so do not expect a simple sequence in which every minute of one act follows the next. The program appears designed as a rolling late-night format, with several kinds of entertainment sharing the evening.

Tour de chant is described as a more intimate show that gives the artists a free hand. That change in scale can be appealing after the larger cabaret. Instead of a single headline production, you get a closer look at the performers’ individual styles and song choices.

I like this part of the format because it gives the night some shape. You begin with the main theatrical show, then move into smaller or more informal performances, and only later shift fully into club mode. It feels less like attending one isolated event and more like spending an evening inside a cabaret venue.

If you are mainly interested in the cabaret, you do not have to treat the whole ten-hour duration as an obligation. The ticket provides access to the broader evening, but your energy and interests should guide how long you stay. The published schedule gives you a chance to arrive for the 9 pm show and decide later if you want to continue.

Sunday is quieter and shorter

Sunday follows a different schedule. Doors open at 7 pm, the main Madame Arthur show runs from 8 pm to 9 pm, and Tour de chant follows from 9:30 pm to 10 pm.

There is no late club period listed for Sunday. If you want the full cabaret-to-dancing night, choose Thursday, Friday, or Saturday. If you prefer an earlier evening centered on the performances, Sunday may suit you better.

The Sunday format is also easier to fit into a wider Paris plan. You can attend the show without committing to a night that may continue until dawn. Still, the same language consideration applies: much of the humor and song introduction is in French.

The club from midnight until the end

From midnight on Thursday through Saturday, the venue becomes a club. Resident DJs play French music in remixed form, and the ticket includes entry to the club portion of the evening.

The setup includes three rooms and five bars. That gives you more room to move around than a single small dance floor, and it means the atmosphere may vary from one space to another. You can dance, get a drink, or simply take a break from the main crowd.

Drinks are not included, so budget for them separately. Coat check also costs extra. Those charges are easy to overlook when a ticket price looks like it covers the whole night, so I would allow extra money if you plan to stay late.

The club is best understood as an added benefit, not the main reason to book. The strongest part of the ticket is the cabaret and live performance. The late club makes the $44 price more attractive if you already enjoy French pop, dancing, and a long night out. If you do not like clubs, you can still consider the ticket for the cabaret alone, but the value will feel less generous.

Is $44 a fair price?

At $44 per person, the ticket is reasonably priced for an evening that can include a one-hour cabaret, additional song performances, and club entry. You are paying for more than a single stage show, though you are not getting drinks, coat check, or a guaranteed seat unless your selected ticket says otherwise.

The value depends heavily on how much of the program you use. If you attend the main cabaret and leave soon afterward, compare the price with other Paris cabaret tickets that include a seat and perhaps a drink. Madame Arthur makes a different offer: a more fluid night, changing weekly content, and a possible transition into club life.

If you stay for the late performances and dancing, the price becomes easier to justify. Three rooms and five bars give you a full night out, and the music remains focused on French remixes rather than a generic international club soundtrack.

I would not book this for a quiet, formal dinner-show experience. I would book it for an artistic night with changing performances, a playful attitude, and the option to keep dancing after the curtain time.

Who will enjoy this most?

I think Madame Arthur suits you if you like cabaret but want something less predictable than a fixed revue. It also suits people who enjoy drag performance, live vocals, theatrical comedy, and music with a strong French identity.

It can work well for English-speaking visitors, too. You may miss parts of the spoken humor, but recognizable songs can provide a way in. The Queen tribute performed in French is a good example of how musical familiarity can bridge the language gap.

You should be comfortable with a performance that is bold, comic, and deliberately provocative. The evening has extravagance and impertinence at its center. That is part of the appeal, but it may not suit someone looking for a restrained or traditional Parisian concert.

The age limit matters. Children under 12 are not permitted, and alcohol and drugs are not allowed. Baby carriages are also not permitted, so families with very young children should choose another evening activity.

Practical timing and arrival advice

Show your ticket to staff at Madame Arthur when you arrive. Thursday through Saturday, doors open at 8 pm for the 9 pm main show. Sunday doors open at 7 pm for the 8 pm performance.

Arriving at opening time gives you more time to get inside and work out the room before the show begins. It is also the sensible choice if you need to ask about seating or accessibility. Since any exit is definitive, do not leave expecting to come back in later.

The listed duration is up to 10 hours, but that reflects the late club access rather than ten hours of continuous cabaret. Think of the ticket as an evening pass. You can attend the principal show, continue through the later performances, and stay for dancing until the club closes.

Wear shoes you can stand and dance in. This is especially important if you do not have VIP seating. The mix of cabaret and club means your night may involve more time on your feet than a conventional theater visit.

The activity is non-refundable, so check the date, schedule, and seating choice carefully before booking. Starting times can vary by date, and the Thursday-to-Saturday and Sunday programs are not identical.

A good choice for a different kind of Paris night

Madame Arthur offers a clear alternative to the city’s larger, more formal cabarets. The focus is not only on glitter and choreography. It is on French songs, live performance, comic invention, and artists who bring their own personalities to the stage.

I especially like the changing weekly show, because it gives the night a sense of discovery. I also like the all-French musical angle, even though it creates a language barrier for some visitors. The Queen tribute shows how the format can remain accessible through songs you already know.

The tradeoff is comfort and certainty. You may stand, the drinks cost extra, the show is mostly in French, and the late schedule can become a very long night. Those are not minor points, but they are easy to accept if you know what you are buying.

Should you book Madame Arthur?

Book it if you want a lively, unusual Paris evening built around French music, drag performance, and comedy, with club access included on Thursday through Saturday. It is particularly good for adults who like artistic surprises and do not need every joke translated.

Choose VIP seating if available and important to you, since standard entry may mean standing. Pick Sunday for the shorter performance-focused version, or Thursday through Saturday if you want the full night with DJs and dancing.

Skip it if you want guaranteed seating, a mostly English-language show, or a polished dinner-and-revue format. For everyone else, $44 buys a flexible night with a distinctive Paris character and far more variety than a single one-hour performance.

FAQ

How much does the Madame Arthur ticket cost?

The ticket costs $44 per person.

What does the ticket include?

It includes entry to the Madame Arthur cabaret and club. From midnight until the end of the night, Thursday through Saturday tickets include access to the club with three rooms and five bars.

Are drinks included?

No. Drinks are available to purchase separately.

Is coat check included?

No. Coat check is available for an additional cost.

Can children attend Madame Arthur?

No. The activity is not suitable for children under 12 years old.

What are the performance times?

Thursday through Saturday, doors open at 8 pm, the main show runs from 9 pm to 10 pm, and the club begins from midnight until the end of the night. On Sunday, doors open at 7 pm, the main show runs from 8 pm to 9 pm, and Tour de chant runs from 9:30 pm to 10 pm.